The title sequence was conceptualised as a visual narrative reflecting the film’s themes and imagery. Geometric shapes and lines representing planets, ships, rings, and black holes were employed to create a journey that transitions from earthly scenes to cosmic landscapes, mirroring the film's exploration of space.

To achieve these visuals, I utilised Adobe Illustrator and Adobe After Effects, which allowed for precise control and fluid motion. The incorporation of Hans Zimmer’s music added emotional depth and thematic resonance, enhancing the narrative quality of the sequence.

In crafting the sequence, I applied motion design theory, particularly Disney’s 12 fundamentals of motion design. Techniques such as anticipation, slow in and slow out, and primary and secondary motion were instrumental in creating dynamic and engaging visuals. The principles of good design, as articulated by Jared Spool—“good design is invisible”—guided the project, emphasising the importance of seamlessness and immersion in the viewing experience.

A significant portion of the project was dedicated to designing the simulated Netflix interface using Adobe XD and Figma. This process involved meticulous attention to detail to mimic real-world interactions, honing technical skills and deepening my understanding of user experience design principles. By prioritising intuitive navigation and seamless transitions, the interface contributed significantly to the project's cohesion and realism.